In her work on the bankers entitled “Pinstripe”, Loredana Nemes devotes her artistic focus to the banker’s uniform – the suit, through a visual game wanting to question us, irritate us or offset gender issues whilst expecting us to look at things in a different way. Pinstripe has been exhibited notably at the DZ Bank in Frankfurt and at Salon Zürcher New York, KLV Art Projects in 2017.
Loredana Nemes lives in Berlin since 2001 when she started her photographic work. She has featured in many solo exhibitions across Germany and Europe (notably the Aaachen Raum für Kunst, the Cologne Baukunst Gallery, the Heinrich-Böll Stiftung and Podbielski Contemporary) and group exhibitions (the Berlinische Galerie, the Berlin Kommunale Galerie, KLV Art Projects or the Voies Off Festival in Arles). Her photographic work for which she has received several awards and distinctions has been published notably by Hatje Cantz and include Loredana Nemes, beautiful (2013); Unscharf. Nach Gerhard Richter (2011); Loredana Nemes, beyond (2010).
Her work features in many private collections including that of the Berlinische Galerie in Berlin, the Folkwang Museum in Essen, the German History Museum, the Museum for Kunst und Gewerbe in Hamburg, the City Museum in Berlin, Richard Serra, New York, or the Art Collection Cleveland Clinic. The series “Greed” is currently exhibited at the Museum for Modern Art and Photography in Berlin (Berlinische Galerie) until mid-October 2018 as part a solo show dedicated to her work.